Sunday, September 27, 2020

Chelsea Girl, Nico

Chelsea Girl, Nico, 1967, :45

★ ★ ★ ☆ ☆

The Warhol protégé's first album, after her famous collaboration with the Velvet Underground.  This is chamber-pop-folk set against Nico's icy Teutonic lower register deadpan.  No drums or bass, just guitar and keyboard, plus strings or flute.  I learned that the string and flute arrangements were added by the producer against the wishes of Nico.  She especially hated the flute.  I agree, the strings don’t add anything, and the flute is frankly ridiculous; they tie Nico down to a twee chamber folk sound which she doesn’t fit into. This could have been a great album, but it will have to be filed away with popular music's hypothetical, never-were albums.  What we have in this reality is a sort of curiosity.  The eight-minute "It Was a Pleasure Then" is certainly not one.  Favorite tracks: "Somewhere There's a Feather," Dylan's "I'll Keep It With Mine," and Jackson Browne's "These Days," the world-weary message of which is perfect for Nico's Euro-ennui voice.

Apart From the Crowd, Great Buildings

Apart From the Crowd , Great Buildings, 1981, :40 ★ ★ ★ ★ ☆ Solid jangle-pop from a now largely-forgotten group featuring two guys who went ...