Showing posts with label 1961. Show all posts
Showing posts with label 1961. Show all posts

Tuesday, July 13, 2021

Blues And the Abstract Truth, Oliver Nelson

Blues And the Abstract Truth, Oliver Nelson, 1961, :36

★ ★ ★ ★ ☆

On this short, six-track album, Oliver Nelson showcases his saxophone talent as well as a great ear for arrangements.  Since jazz doesn't usually have words, you have to try to listen for the ideas.  Sometimes I have no idea what the songs are trying to say and sometimes I do.  Some of these pieces, like "Yearnin',"  are a bit strident in their virtuosity.  But most of this album has you nodding and snapping along, until it grabs you by the shirt front and smacks you with a well-crafted solo.  This is the kind of music that sneaks up on you.  Favorite tracks: "Stolen Moments," "Hoe Down," "Cascades."

Friday, October 2, 2020

Charles Aznavour (Il faut savoir), Charles Aznavour

Currently doing one album for each year, 1960-2020. Today: 1961.

Charles Aznavour (Il faut savoir), Charles Aznavour, 1961, :21

★ ★ ★ ★ ☆

This album (more of an EP, really) is actually called Charles Aznavour, but Aznavour titled a lot of albums after his own name even more so than Peter Gabriel, so this one is known by its first song title. I'm no stranger to French singer-songwriters, but I've always considered Georges Brassens to be pinnacle of French songcraft.  However, this brief collection makes a case for Aznavour's high status.  With his bold, slightly tremulous voice, he's a French Frank Sinatra to Brassens' Bob Dylan.  Like the Chairman, Aznavour comes across as world-weary, born old, and rueful about everything, even as he emanates stylistic confidence.  Favorite tracks: "Le Carillonneur," sung from the point of view of a very cynical church bell-ringer, "Voila Que Ça Recommence," a song about, uh, loving life ("a skirt passes by / And I get ready to lose my mind").

Monday, August 24, 2020

My Favorite Things, John Coltrane

My Favorite Things, John Coltrane, 1961, :40

★ ★ ★ ★ ☆


The title track is the classic "Sound of Music" Rogers and Hammerstein song, turned to a 13-minute saxophone and piano instrumental heavily influenced by Eastern music.  Since I don't know anything about chords or musical modes or times, I can't really talk about this music except to say that I enjoy it.  Favorite tracks: well, there's only four songs on the album (with two single edits of the title track added to the "deluxe" version of the album), but the title track is a five-star classic, and Cole Porter's "Every Time We Say Goodbye" is also great.

Apart From the Crowd, Great Buildings

Apart From the Crowd , Great Buildings, 1981, :40 ★ ★ ★ ★ ☆ Solid jangle-pop from a now largely-forgotten group featuring two guys who went ...