Tuesday, October 20, 2020

The Feeding of the 5000, Crass

Currently doing one album for each year, 1960-2020. Today: 1979.

The Feeding of the 5000, Crass, 1979, :31

★ ★ ★ ★ ★

Holy fuckballs!  Where has this band been all my life?  From the utterly-shocking-even-in-2020 gratuitous spoken-word blasphemy of the first track, to the inexorable proto-Clash machine gun bass and guitar, to the denunciation of sexual politics on the female-bellowed "Women," to the anti-war chants, to the social rebellion of the last track ("Do they owe us a living? Course they do, course they fucking do"), this is pure punk.  A less melodic, angrier, and more vulgar Clash, they rail against all organized religion, the military-industrial complex, private prisons, war, Thatcher, and every other authority.  In true punk fashion, they also include a personal complaint, about being "Banned From the Roxy."  These guys should have taken over the fucking world.  Apparently later they moved closer to something like a feminist art collective.  Their third album was called Penis Envy!  Truly, the world was not worthy of Crass.  A lot of people I know would hate this.  To me it's the antidote to the infected tattoo on the face of music that is David Lee Roth.  I could listen to it on repeat several times in a row.  Could, and did.  Favorite tracks: "Do They Owe Us a Living?," "So What" ("So what if the master walked on the water / I don't see him trying to stop the slaughter"), "General Bacardi."

Apart From the Crowd, Great Buildings

Apart From the Crowd , Great Buildings, 1981, :40 ★ ★ ★ ★ ☆ Solid jangle-pop from a now largely-forgotten group featuring two guys who went ...